Friday, July 17, 2015

Create Winning Resutls with "The Dream Catcher"

Walt Disney once said that "if you can dream it, you can achieve it." Of course, he is right about this. The history of the human species has proven that, time and time again. But Walt's motivating little couplet is glancing over one important thing. He mentions nothing of the sometimes gigantic gap between the dreaming and the achieving! There can be a seemingly endless chasm between the vision that exists in your mind and actually seeing that vision turned into a reality. But do not despair. There is a bridge that can safely be relied upon to transport you from the one side of the canyon to the other. That bridge is your business plan.

A business plan is built from proven, repeatable and measurable strategies that have been designed to move you forward towards your vision. Failure, pain and quitting seem to be the most common results when an artist chases a dream without strategy and without a business plan. And yet, the vast majority of artists never create a business plan beyond simply creating art and waiting for their dreams to just happen.

A business plan does not sound very “artsy” so for you artists out there that are turned off by business jargon we have created “The Dream Catcher.” We call it The Dream Catcher because it's purpose is to, well... catch dreams! Dreams tend to just float around without any strategy to anchor them or give them direction. This model will help you reel that dream in and focus it down into real world applications.

Here we go: Dreams go in and results come out!




How to Turn Dreams Into Goals

The first step in the Dream Catcher process is breaking dreams down into concrete goals. A vision can be gigantic and therefore difficult to wrap your brain around. Step one is to break that vision up into smaller pieces. A goal is different from a dream or vision in a few ways. First, your goals are meant as intermediaries or steps that move you towards your grander vision. Goals are milestones that you must hit along the way to the promise land. We call this the "Dora the Explorer Principle." Yes, We did just mention Dora the Explorer!

If you are lucky enough... or unlucky enough to remember Dora you will recall that every episode followed a very specific formula. Dora and Boots need to get to some important destination. For our purposes today we'll just say she needs to get to the magic chocolate tree. But before Dora can begin her quest she always consults a singing map who tells her how to get there. Of course, it goes without saying that singing maps are very wise and trustworthy. The Map does not simply tell Dora how to get to her destination, rather he gives her a series of milestones that will eventually lead her there. For our example he would say something like, "first go through the scary forest, then go over the troll bridge, then climb the muddy mountain, and THEN you will make it to the magic chocolate tree!"

Your Goals should do for you what Map does for Dora. Thanks, Nick Jr!

Goals should also be S.M.A.R.T. This is a famous old goal setting acronym that never goes out of fashion because it is so dang true!

We will continue to talk about goal setting and goal achieving in another blog. For now, ask yourself what kinds of milestones must you hit in order to make it to your ultimate vision?  

How to Turn Goals Into Strategies

A strategy is your game plan or method. The Vision and Goals are both “what’s” while your strategies are the “how’s.” As we already stated (and will restate many more times) a strategy is a proven, repeatable, and measurable method for moving you towards your goal. You may be wondering what we mean by proven, repeatable, and measurable. Let’s break it down…  

Proven

First of all, do not confuse the word proven with the word guaranteed. When we say that a strategy should be proven we mean that it has been validated in the marketplace. You can follow proven strategies and still fail but you will do far better than if you hadn’t. A proven strategy is a method or model that has been tested and therefore can give you reasonably predictable results. As you will see throughout our book (Art To Income) and our other programs, so much hinges on results that you can predict and later measure.

An example of a proven strategy for a musician who wants to break into the college market would be to showcase at a NACA (National Association of Campus Activities) conference to get booked at colleges around the country. People get booked out of these conferences all the time. It is perfectly reasonable to predict a certain kind of outcome and there is ample data you can collect to support this assumption. An example of an unproven method would be what most musicians typically do…. play for free in venues all over Hollywood with the hope of being discovered, picked up and made famous. We can call this “The Justin Bieber Phenomenon.” One-in-a-million opportunities do get handed out to a lucky few now and then. Their stories get repeated in the media and thus the myth gets perpetuated. That myth states that all you need to be is “good enough” to eventually be discovered and make it big. One-in-a-million opportunities are just that… one-in-a-million! You want results that you can rely upon and therefore anticipate. Building a business model around the Bieber Phenomenon would be like telling your mom that you just launched a new Silicon Valley startup whose sole business plan is purchasing lottery tickets every day!  

Repeatable

A strategy also needs to be repeatable. Here is the test to tell if a strategy is repeatable. When you are presented with a potential new method for generating income ask yourself two questions. First, “can I do this?” Second, “can I then do it again, and again and again.” Once you have achieved your desired and predictable result, the worse thing you could do is then wander off in a new direction looking for the next big strategy. The best strategies should become something you can rely upon. You want and need methods you can trust and return to again and again.

Measurable

There should be equations attached to your strategies. Remember how back in your Junior High math class you would roll your eyes and think “when will I even use this boring stuff in the real world?” Well, dust off your calculator. That time has arrived! As we break down strategies in the chapters that follow we will include metrics by which you can measure your success. For now, the most basic and universal equation is this:

Results of the Strategy (income) > Cost of the Strategy (in cash) + Cost of the Strategy (in time) 

 At bare minimum you need to be able to measure the results generated by each strategic method and the costs of that method in dollars and time spent. If your strategies cost more money than they generate then it is time to investigate better strategies!  


How to Turn Strategies Into Steps

What are the tasks that must be done to get you to your goal? What are the things you can do today, tomorrow and the next day that will move you forward? Steps are your immediate tasks. These are your short term “to do” items. They are not ideas, milestones or destinations. Rather, they are action items that you can look at and say “I am going to do this step on this day at this time.” If you cannot assign a date and time to actually doing the step, then you need to break it down further into even smaller steps.  

Taking Action

As we’ve said before the first thing is to keep the first things the first things. Don’t be distracted from your steps or tasks by things that do not move you towards your next goal. Stay focused! We learned one of our most valuable lessons about running an art business while shooting Driven by the Sound back in 2008. We were interviewing an indie musician named Kalai at his home in Utah. During that interview Kalai told us about the moment that his music went from simply being his artform to being his career. That moment came when he realized that if he was going to be serious about earning money as a musician he needed to work 8 to 10 hours a day, 5 days a week, just like any other professional or business-person would. You too must plan out enough time for following through with your steps every day. Make your action-items your top priority. Dedicate X amount of hours a week solely towards completing the tasks that move you forward.

Now you know how to turn your dreams into your reality, so go out and start taking action!

Kenny and Jake Ballentine Co-Founders of Art to Income and Independent Artist Day arttoincome.com

Wednesday, July 1, 2015

The Independent Artist: Episode 1 with Crista Cloutier

https://itunes.apple.com/us/podcast/the-independent-artist/id1014186114?mt=2
We are pleased to announce the premier episode of "The Independent Artist". This week our guest is Crista Cloutier of "The Working Artist". 

and





Don't forget to claim your free book!
https://arttoincome.com/free-book

How To Find A "Buying Audience" For Your Art

 

Riches in Niches


If you took a time machine to medieval France and watched people barter their goods at the marketplace you would find that the same fundamental principle of business applied back then just as much as it does now.  All business comes down to nothing more than finding out what people want and providing them with that very thing… in exchange for money of course. Here’s the good news for you as an artist. There are people who want to pay you for your art. I know, exciting right? But slow down, I am afraid there is bad news as well. MOST PEOPLE DON’T! Your job is to find the people that do! We call this process finding your niche.

Very often when we ask our clients who their audience is they tend to answer with something like, “the world is my audience” or, “my art is for everyone” or, “don’t put limits on my art, man.”  It’s perfectly fine to think this way… unless you want to make money that is. If you want your art to be your business then you need to know who your audience is so you can serve them effectively.

Think of it this way. If you randomly posted a link to your online portfolio on a forum for cat lovers, chances are no one will go to your site and nothing will happen.  The cat lovers won't give a rip about your art and why should you expect them to? You need to find the slice of humanity that loves art, then find the portion of them that love your medium, then the portion of them that love your style, then the portion of them that love you, then the portion of them who will actually buy something! Now that’s a niche baby!

So, how do you find a narrowly targeted and reachable niche for your art? First, we need to find your “avatar”. No, an avatar is not a giant blue alien or an element bending bald kid. Your avatar is the official “poster child” for your paying customers. Here is how you can find yous…

Finding Your Avatar


Let’s start with a quick game of 21 Questions. Remember, your avatar is the “poster-child” for your paying customers. He or she should embody all the qualities of your most likely buyers… your super-fans! Be as narrow and specific as possible.

  1. Is your avatar male or female?
  2. How old is your avatar? (Which decade where they born in? Which generation? ie. Millennials? Baby Boomers?)
  3. Where does your avatar live? (Country? Region? City?)
  4. What is your avatar’s annual income?
  5. What are your avatar’s hobbies and interests?
  6. Where does your avatar work?
  7. What kind of education does your avatar have?
  8. What are your avatar’s political, religious or moral beliefs?
  9. What is your avatar’s ethnicity and cultural heritage?
  10. Where does your avatar shop?
  11. What does your avatar do on the weekend?
  12. What kind of clothes does your avatar wear?
  13. What kind of car does your avatar drive?
  14. What is your avatar’s relationship status?
  15. Does your avatar have children?
  16. iPhone or Android? (Yes, it does make a difference!)
  17. What does your avatar eat? (Vegetarian? Texas BBQ?)
  18. What are your avatar's problems and fears?
  19. What kind of media does your avatar consume?
  20. What social media platforms does your avatar use? (Twitter? Facebook? ect...)
  21. What hours of the day is your avatar online?

Yes, you are creating a stereotype… and yes, you are profiling your potential buyers. I know it can feel icky but it must be done. It is true that your avatar will not perfectly represent every single person who buys your art.  The point is to be so darn close that you will be able to market yourself effectively and end up in the right places at the right times.

Get to know your avatar. You want to be able to pick them out of a crowded room with no more than a glance from the corner of your eye. A great way to get started is to create an avatar profile card. You can fill out the form below or make your own.  

Avatar + Congregation = Niche!

Now that you know who your Avatar is the next thing you must determine is where they congregate. Where does your avatar go in droves? What events do they attend? Where do they spend the most of their time online and in the real world? Knowing your "niche" means having a profound understanding of the person (your Avatar) and the place (where your Avatar congregates).  

This is the fundamental difference between artists who sell and artists who don't. You want your niche to be an inch wide but a mile deep. Save yourself from wasting time and money. If you can get specific about your "buying audience" you can expect to see predictable marketing results, higher conversion rates and more sales.

Free Book

We go over this in greater detail in our new book "Art to Income". For a limited time you can get your copy of "Art to Income" for free at https://arttoincome.com/free-book. Until next time... may your days be happy, may your skies be blue, and may your art create income!

Kenny and Jake Ballentine

Monday, June 8, 2015

Why Every Artist SHOULD Do It For The Money!

There seems to be nothing more despicable than finding out that someone’s true intention was gaining wealth. But why is this so? Everyone seems to agree that money is a useful thing. We all want more of it. We can all do a lot more with it then we can without it. So why this aversion to the desire for wealth?  This phenomenon is especially prevalent among artists. From amateurs to seasoned professionals there seems to be this “icky” feeling that comes with mixing art with business. No artist wants to say that money is a motivating factor… but why not? Why should “I did it for the money” be a negative statement? Perhaps these are words you have abhorred yourself. Have you ever uttered the unofficial motto of artists everywhere… “I don’t do it for the money, man”? It is ironic how many artists make that claim only to quit their art-form years later because, quote “it just didn’t make me enough money.”

The purpose of this post is to convince you to sell out! Wait! Don’t slam your laptop shut in righteous indignation just yet! Hear us out. We want you to become the kind of artist who doesn't sell out their integrity, but who sells out of prints, who sells out of albums, DVD’s and T-Shirts, who sells out of tickets, and comic books! We believe you and your art have value and that you deserve to be compensated for it.

Let’s take a moment and discuss what your artistic life looks like with income and what it looks like without it. One way or another you need to have an income. Life costs money afterall. If you are an artist you are either making that money off of your art or you are making it from a job. You can call it your side job, your back-up plan or your bridge job, either way… it’s not your passion it's not your art and most importantly it takes time... LOT'S OF TIME. And thus your art suffers because you never have the time or resources to give it the attention you feel it deserves. Put simply, a lack of income kills art. It puts a hard ceiling on your progress, and breaking through that ceiling requires more than a side job.

When your income is coming only from your side job you are effectively putting your “A” priority in “B” position and your “B” priority in “A” position. This is the fundamental flaw in what we call “Back-Up Plan Philosophy.”  This is when an artist puts more effort and attention into the thing they will fall back on should their artistic endeavors fail, then they put into their actual art form. Many feel this is simply the responsible thing to do. We, however see it as self-sabotage. We have seen it many times. A well meaning artist heads to college. They know what they want to do. They may even have a very clear vision of how they will accomplish it. Yet, there is still the voice of doubt and fear in the back of their mind that whispers “what if.” They decide they better major in accounting “just in case.” Well here is the sad truth. If you put the time and effort into the training and schooling it takes to become an accountant... guess what? You will become an accountant! Plan “A” deserves all of your time and energy. If that fails, then we can talk about plan “B.” As the great Stephen Covey put it, “the first thing is to keep the first thing the first thing.”

Resources equal growth! When your art is generating income, your income can generate more art. Imagine if all of those day job hours were dedicated to your art-form, instead of the Starbucks or the all-night dinner you have been working at for years? What would that do to you as an artist? Do you think you would progress quicker? Would your highest dreams and aspirations become more or less likely to become your reality?

We are certainly not suggesting that money should be your only motivation, or that it should be your main motivation, but by golly you deserve to make it one of your highest priorities! You pay your cell phone bill, right? You pay your internet bill! Well, it’s high time you started paying yourself. This brings us to the overarching theme of this book. So many artists are working their butts off with no monetizable business plan. Their one aim is to be discovered or picked up… to get their “big break.” Their main mode of operation is “hurry up and wait.” Well, we are here to tell you that your big break comes on the day you decide that you are in charge of your artistic and financial destiny. So many of us are waiting for some outside force (like an agent, record label, distributor, etc…) to swoop in and make our dreams come true. The power to make your dreams come true already exists within you. The ability to foster long term financial success and complete artistic fulfillment is already in your hands, you just need the focus, the tools, and the right business plan to make it happen. 

There are fundamental and important differences between art as a career and art as a hobby. If you are someone who simply wants to create art and not bother with business models, sales, and well, lot’s of work, then what you have is a hobby. If a hobby is what you want there is certainly nothing wrong with that, but if you want your art to be your career then you need to treat your art like a business. If you fall into the later category then we would like to invite you to experience our brand new book, "Art to Income". For a limited time you can claim your copy for free at https://arttoincome.com/free-book

Until next time... may your days be happy, may your skies be blue and may your art create income!

Kenny and Jake Ballentine
Co-Founder of Art to Income and Independent Artist Dayhttps://arttoincome.com/free-book




4 Lessons Artists Can Learn From Startup Gurus

Are you an Artist Entrepreneur? Yes, I just said "Artist Entrepreneur". I know, right? Could there be two pursuits that are more polar opposites? One pursuit is driven by the heart, passion, and devotion to a craft. The other is dominated by numbers, profits, losses, business plans and spreadsheets. It is easy to slip into this binary mindset. But from our experience Jake and I have discovered that the very best entrepreneurs are the ones who treat their business like an art. And conversely, the most successful artists are the one’s who treat their art like a business.
We certainly are not suggesting that you “sell out” your artistic integrity in the pursuit of the almighty dollar… far from it. But there are some important lessons we indie artists can learn from entrepreneurs if we wish to see our art become more than just a hobby or side-job. Here are four simple tips that Jake and I have carried over from the world of business that have taken our “art-business” from good to great!

1. If you want your art to be your job, treat your art like your job!

This is a very simple concept. If you have a full time job, you know you are expected to put in about 8 hours a day, five days a week to earn your paycheck. Well, if you want your art to be your job, consider putting a similar hour requirement on your artwork. This may sound like a small gesture but the results can be amazing. 40 hours a week is A LOT of time! Some of us can only spend so many hours practicing guitar or painting. What are you going to do when your fingers cramp up and you are ready to throw your canvas out the window? Call it a day? NO! You have an hour quota to meet. You need to fill those hours with something. This can be the time you work on marketing, build that new website, and form promotional partnerships. An hour quota forces you to find work to do. You will be shocked at how much this can change your life in as little as 30 days.

2. Create a Business Plan!

You may have art and you may occasionally find ways to monetize it. But if you don’t have a business plan, you don’t have a business. You are a boat adrift in the ocean without a rudder. If you want to see progress you need a business plan to set your course and set milestones for success. In it’s simplest form a business plan is a written document that spells out your art-business goals and exactly how you will hit those goals. Your goals must be measurable and have deadlines. Don’t be shy with this. Most artists we consult with achieve the objectives of their business plan only to realize that they set their goals WAY too low!

3. Build and manage an email list!

In the world of sales (especially online sales), your mailing list is your most valuable asset. Consider how much more successful an ad or promotion will be when targeted at a group of people who have already expressed an interest in your art, than say an ad or promotion that is targeted at the entire internet! Remember, your website should have two primary functions. It should capture emails and create sales… that’s it!  Find a system for capturing emails and then use that list accordingly. You can capture emails at live events as well. Nothing gives a business more vitality and growth than a tribe of loyal supporters. Know who your tribe members are and have a method for communicating with them.

4. Seek training that takes you out of your comfort zone!

Entrepreneurs know that their are lots of people out there who are smarter than them. No one person holds all the pieces they need to put together the perfect “startup puzzle”. That is why Jake and I constantly seek out the best training we can find. We have taken courses in online marketing, public speaking, finance, social media and more. Entrepreneurs have to wear a lot of hats, and so do Artist Entrepreneurs! Seriously, how can you expect yourself to run an effective art business if you have never read a business book or taken a business course? How much money do you think you will waste by blindly trying to figure out some of this stuff on your own? Do yourself a favor and learn from the best!

In conclusion, I would like to challenge you to add “Entrepreneur” to the end of your “Artist” identity. You owe it to yourself and to your craft. After All, the better you are at running a successful art business, the more artistic and financial freedom you will experience every day. And who doesn’t want that? Get started by claiming your free copy of our new book "Art to Income" over at https://arttoincome.com/free-book. Until next time... may your days be happy, may your skies be blue and may your art create income!

Kenny Ballentine
Co-Founder of Independent Artist Day and Art to Income

https://arttoincome.com/free-book